Has Indian Journalism Lost Its Spine?
In the mid-80s at The Indian Post, (like in every newspaper across the country then) a story went through two layers of editing by no-nonsense mafiosi of the desk. No reporter dared file a piece without confirming at least two sources. Emotion had to be earned, not performed. Today, a well-timed sigh on camera often gets more reach than a day’s fieldwork. Once upon a time, calling someone a “storyteller” in a newsroom was a compliment. It meant they could write with grace, clarity, and flair. I remember our chain-smoking Pakistani news desk editor at The Khaleej Times, Dubai, telling me, “Don’t just inform, make the reader feel something.” But that feeling had to rest on a foundation of rigour. Today, in many Indian media circles, “storyteller” feels like code for someone who can spin drama over detail. In the chase for ratings, retweets, and relevance, journalism has taken on a theatrical air. Reporters sound like narrators. Headlines resemble movie trailers. Emotions routinely overp...